Mel O'Callaghan Mock-up of glass sculptures for 'Centre of the Centre' , 2018
About the exhibition
Created specifically for Artspace, Centre of the Centre is a major new commission that traces the origins of life and its regenerative forces, iterated through video, performance and sculpture. The exhibition will be presented at Artspace, Sydney from August – October 2019.
The Australian-born, Paris-based contemporary artist works across film, performance, installation and painting. This ambitious new commission offers O’Callaghan an opportunity to further explore her ever-expanding fields of influence and demonstrates the remarkable range of her artistic practice. Centre of the Centre will be O’Callaghan’s first largescale exhibition in an Australian public institution. The exhibition comprises three distinct yet interrelated works – a large-scale video work, a performative aspect and selected glass sculptures.
The catalyst for this new body of work is one small mineral given to the artist by her grandfather, renowned mineralogist Albert Chapman. The mineral contains a small pocket of water, possibly millions of years old, which holds traces of the elemental forces responsible for all life on earth. Inspired by the potentialities and extreme conditions within this primordial liquid, the exhibition submerges the audience in a highly visceral experience through sensory breathing techniques and experiential performance.
About the artists
Mel O’Callaghan was born in 1975 in Sydney, Australia. She lives in Paris, France and Sydney. O’Callaghan’s career highlights include solo exhibitions nationally and internationally, most recently at the Palais de Tokyo, Paris (2017); National Gallery of Victoria, Melbourne (2017-18); Kronenberg Wright, Sydney (2017); Galerie Allen, Paris (2017); Casa-Museu Medeiros e Almeida, Lisbon (2015); Galeria Belo-Galsterer, Lisbon (2015) and First Street Green, New York (2014).
O’Callaghan was awarded the Prix SAM pour l’art contemporain (2015) and was a finalist in the Prix Meurice (2017) and the Bend Lohaus Prize (2015). From 2017–18 O’Callaghan’s work received print and online press coverage in many publications, including Artforum; Art Press; Le Monde; Forbes Magazine; The Australian; Artaissme; The Guardian; AD Magazine; Art das Kunst Magazine; Vogue; E-flux; Blouin ArtInfo and Trois Couleurs.
Works by O’Callaghan are held in several public and numerous private art collections nationally and internationally including Centre Pompidou; National Gallery of Victoria; FRAC Bretagne, France; Monash University of Modern Art, Victoria; Artbank, Australia; and the Attorney General’s Department, Australia. Works by the artist were also commissioned and are held by the Australian Embassy, France.