Interfacial Intimacies
National Exhibition Register
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Bruno Booth Body Shots, 2022
- Medium
- 4K, nine channel, nine minute video with audio. UHD panel’s , Raspberry Pi’s, coding, speakers, cabling, meranti, steel, rubber, fixings, shot bags and acrylic polymer paint
- Dimensions
- 628.5 x 280 x 150cm
- Image Credit
- Installation view Heathcote Cultural Centre, collection of the artist
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Léuli Eshraghi AOAULI (VILIATA) (2020/22) Exhibition view, A Clearing in the Forest: Enmeshed, Tate Modern, courtesy Carly Whitefield. , 2020/22
- Medium
- Video installation
- Dimensions
- Variable
- Image Credit
- Commissioned by Queensland Art Gallery | Gallery of Modern Art and Tate Modern, originally a digital commission by the Australian Centre for Contemporary Art realized with Stuart Miller and Alexandra Grisedale
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Georgia Morgan This dream is real, 2021
- Medium
- Fine art inkjet print
- Dimensions
- 120 x 80cm
- Image Credit
- Image courtesy the artist
-
Shea Kirk Machar (left and right view), 2021
- Medium
- Archival pigment print on Canson Platine Fibre Rag 310gms
- Dimensions
- 63.5 x 50.8cm, edition of five
- Image Credit
- Image courtesy of artist
About the exhibition
The University of Tasmania is developing this curated group exhibition for the 2023 Dark Mofo Festival. The ten artist's work addresses issues around fluid identity in contemporary culture.
What does it mean to be the absolute essence of yourself without being attached to any of it?
For a long time, many philosophers have sought to define the essential aspects of the self. In contemporary culture, exclamations such as “Be true to yourself”, “you’re not being yourself” consider that the ‘self’ is defined and a trustworthy container within which you can be found. Emerging theories of selfhood recognise that it isn’t so simple. We know that we can have as many social selves as the people who recognise us. Rather being fixed and always coherent, an alternative understanding is that our personalities can be participated in as a plethora of parallel processes and possibilities. Of continuous becoming. Of transformation. Interfacial Intimacies brings together artists who hold and express tenderly the multiple aspects of their selves through a series of portraiture and anti-portraiture. Paintings, films, installations, sculpture, photography, and performance in this exhibition explore the tensions of our networked personalities - our shadows, our masks, our shame.
Artists and Curator
- Curator
- Caine Chennatt
- Artists
Cigdem Aydemir, Bruno Booth, Aleks Danko, Léuli Eshraghi, Amrita Hepi, Shea Kirk, Georgia Morgan, Bhenji Ra, David Rozetsky and Cassie Sullivan
Available Dates and
Exhibition Details
- Available dates
- 01/10/2023 - 31/10/2025
- Exhibition size
- Between 75-100 sq or running metres
- Originating state
- TAS
- Organised by
- The Plimsoll Gallery, University of Tasmania
- Price
- $5,000 (inc. freight)
- Primary contact
- Jason James
- Position
- Exhibitions and Touring Coordinator
- Organisation
- Contemporary Art Tasmania
- Phone
- 0362310445
- jason@contemporaryart.org.au
- Acknowledgement
- Interfacial Intimacies is a Plimsoll Gallery exhibition toured by Contemporary Art Tasmania. The Plimsoll Gallery is supported by the University of Tasmania